Thursday, July 19, 2007

Evading the Takedown Via Footwork and Zones of Sanctuary

As mixed martial arts continues to rise in its popularity, one question that many dedicated students are asking their instructors is, “What can I do to avoid someone from taking me to the ground”?

To keep this simple, we need to revisit our four key zones that you should be learning (especially in the intermediate and advanced levels of training) in American Kenpo Karate:

(1) Out of range control - when an opponent is far enough away where we cannot reach him with our hands or feet. There is still is an element of control, however, since a quick and deceptive feint could very well get the opponent to move and be caught off guard for a possible attack.

(2) Within range control - when we are close enough to be able to touch the opponent.

(3) Penetration control - we have passed the opponent's defense and are now able to effectively reach the opponent with punches or kicks to the body, legs, and head.

(4) Manipulation control - we are close enough to be able to apply joint locks, chokes, and so forth.

If our opponent is within range control, we are vulnerable for a potential takedown. And while it is possible to keep an effective distance from our attacker via good striking and footwork, the problem, of course, is that when we have reached penetration control, our opponent is, in turn, close enough to take us down.

In 2005, I had the opportunity of fighting full contact against a top-notch kick-boxer and jiu-jitsu black belt. I really didn’t know what to expect from my opponent until the fight had started, but one thing is for sure, I learned quickly what was so critical in the fight: (1) great footwork, especially moving off to a zone of sanctuary (2) endurance (3) perceptual speed. Perceptual speed allowed me to take quick steps off to a zone of sanctuary when my opponent attempted to lower his height, and reach for my hips. Sometimes it was close, in the sense that I had just barely avoided the takedown. I found, however, that stepping on the outside of his front leg was most effective because his forward motion when he committed the attack was still to 12 o’clock.

Tuesday, July 17, 2007

Jeff Speakman Interview: His Comments on Rank

One week ago, a very interesting and controversial interview by Jeff Speakman hit you tube and got a plethora of feedback (positive and negative) from Kenpoists across the globe. I would like to comment on some of the points that he made in his interview.

Jeff commented that he had personally tested for every degree of black belt, all the way up to his current rank of 7th degree. For those that have not been in Kenpo for a long time, one must know that honorary promotions are not that uncommon, especially after 5th degree black belt since there is technically no new material beyond 5th degree. I admire his devotion to have to test for each rank, and to not get rank the easy way, which is often an honorary promotion at a Kenpo camp. To continue to get out there and demonstrate one’s abilities shows his commitment, both on a physical and courageous level. He also commented that after 5th degree black belt, one should wait a minimum of 5 years between each dan rank, and that that was Ed Parker’s standard. While I can’t comment on the latter guideline (other than to say that I am sure exceptions were made), I think the 5-year minimum timeframe is an effective standard since it teaches black belts patience and perseverance. By having a 5-year minimum, it will show who is truly in Kenpo for the long haul, and who is undoubtedly committed to spreading the art on a global scale.

As for the Kenpo seniors who refuse to put on a 10th Degree out of respect for Ed Parker, I think that is awesome and takes great humility. But at the same time, I see nothing wrong whatsoever of the likes of Larry Tatum, Huk Planas, Dave Hebler, Frank Trejo, and Mike Pick wearing the 10th degree. These guys are Kenpo legends who have spent their entire lives spreading and promoting this great art that we so love. Their rank should not be questioned by any of us.

Wednesday, July 11, 2007

Kenpo Karate’s Elbow Strikes

As most of us are aware, Kenpo Karate uses elbow strikes throughout the entire system. We even have an entire set dedicated to their use, in Striking Set 2. But how many of us, for example, have actually executed a solid inward elbow to something solid to get a more realistic sense of how it might feel, and to ensure that we are hitting with the correct part of the elbow?

To become more familiar and proficient with their use, I highly recommend working the various elbow strikes on focus pads and heavy bags to get used to making solid contact. Once we have become more confident in our ability to execute the various elbow strikes while maximizing our potential power, try striking something more solid that will not break, but be sure to put on elbow pads before doing so to prevent injury. Some dedicated martial artists, for instance, will try using elbow strikes on a motorcycle helmet that someone is wearing. This, of course, will give us a more realistic sense of what it would be like to execute an elbow to an opponent’s head.

Saturday, July 7, 2007

Black Belt As Role Model

The Internet is unbelievable. One quick Google search and we can pretty much find out whatever we would like about a specific instructor in the martial arts. Now with things like Myspace and Facebook, people are giving out a truckload of their personal information including home address, telephone number, email address, cell number and so forth.

As a school owner for the past 12 years, I am very much aware of the responsibility that I hold with regard to others. More important than the skills that I possess, is the moral conduct of my behavior and speech. I am astonished at the number of black belts representing this great art of American Kenpo that are constantly using vulgar and obscene language via the Internet. My question is this: what do the children that you have taught think of all of this? Surely, if they have not read any of its content, at least some of their parents have. Where is the joy in life by constantly spitting out every four-letter word to get your point across?

Here is another example. I am astonished at the number of high-ranking black belts out there that verbally let everyone know via the Internet how “smashed” they want to get on the weekend. Just a thought: Do you ever wonder why your not getting many phone calls from prospective students? Look, I am not saying that there is anything wrong with having a glass of wine or a beer (I actually hate beer, LOL). But when the aim is to constantly get “hammered”, there is a serious problem. What does that say about your acquired discipline? It says that you try to find satisfaction and peace in life via alcohol because you can't find it without it. And by letting everyone know via forums, Facebook, or what have you, people are not taking you as top martial artist seriously. Put simply, they don't think you are the real deal.

As black belts, we have a reputation to uphold. Let's not put on a mask and try to pretend we are something that we are not. Let's actually live it by treating everyone with respect.

Thursday, July 5, 2007

Learning the Equation Formula

As Kenpo practitioners advance in their comprehension and proficiency in the system, they learn that there are eight actions that can be applied to any technique formulation. Ed Parker called it the equation formula (Seabrook 2006):

(1) PREFIX it, add a move or moves before it,
(2) SUFFIX it, add a move or moves after it,
(3) INSERT, add a simultaneous move with the already established sequence,
(4) REARRANGE, change the sequence of the moves,
(5) ALTER the weapon, the target, or both,
(6) ADJUST the range, the angle of execution, or both the angle of execution and the range,
(7) REGULATE the speed, the force, both speed and force, intent and speed,
(8) DELETE, exclude a move or moves from the sequence.

As a Kenpo Karate instructor, I believe that it is important for Kenpoists with considerable experience to work on the above 8 actions as they apply to self-defense. However, introducing the equation formula (or the what-if stage, rearrangement concept, ect) too early to students, in my opinion, confuses them and gives them less confidence in their ability to apply the ideal phase techniques in a street altercation.

There is more than enough material in American Kenpo (forms, sets, techniques, sparring) to learn in the beginner stages of learning; and because of the patience and discipline required to memorize all of that material, students want to be assured that they are learning techniques that will work. Teaching students the techniques in the ideal phase, and allowing them the opportunity to make those work will accomplish that goal. Bombarding them with the equation formula too early is counter-productive.

Tuesday, June 26, 2007

Consistent Daily Practice

One of the best tips I can give to martial artists around the world is that if you want to be the best you can be, you need to practice as much as possible. This seems obvious, but how many of us can honestly say that we practice as much as we would like to? This may sound harsh but I am convinced that mediocrity in any areas of our life (Kenpo included) is the result of practicing only when we feel like it. Conversely, being the best we can be is the result of practicing if when we don’t feel like it.

This past Saturday was my daughter’s 5th party. Morgan had 23 kids (not exaggerating) over to our house for a 3-hour party. Luckily, the weather was fantastic and my wife and I were able to host the party outside in our backyard. Given the special occasion, I took the day off completely from Kenpo Karate and enjoyed every minute with my family. It was actually a well-deserved break because up until that date, I had practiced 41 days straight for a minimum of one hour of Kenpo Karate. Some days over the span had been as long as 3-5 hours in one day. That may seem like a lot, but as a 6th Degree Black Belt in American Kenpo Karate, and as a school owner, I believe that I have the responsibility to train that hard not only to continue to improve my skills, but for the betterment of my students. The more my students see me improving, the more motivated they will be to improve as well.

Most of my training is completed outdoors. I much prefer a tennis court or park to practice then a comfortably padded floor with mirrors to look at myself. No, I am not knocking dojo training, but I enjoy the sunshine and different terrains offered outside. I like training in my bare feet to toughen my feet, as well as in shoes to give a greater sense of realism.

By practicing daily, and conditioning my mind to pattern the consistency in this behavior, practicing Kenpo is not just a duty for me, but a devout passion. It allows me to stay in top physical shape, relaxes my mind, and makes me feel good about myself. The more confident of a person we are on the inside, the more it will reflect on the outside in how we treat others.

Sunday, June 24, 2007

Recommending a style of martial arts

I often get asked by people who are not involved in the martial arts what style I would recommend to suit their needs. I read many arguments about which arts to avoid due to their lack of practicality and logic, and I also read about arts that almost everyone states are some of the best. I am not buying it. No art can save you. The key to any art is the instruction that is being transferred from teacher to student.

Of course, I am a die-hard American Kenpoist. But that does not mean that I would necessarily recommend an American Kenpo Karate school to someone over another art if I feel the quality of instruction is severely lacking at the Kenpo school. An instructor has the responsibility of striving to become the best he/she can be, and that knowledge should be passed on to students.

I always here about how great Brazilian Jiu Jitsu is. I find it ironic, however, how 15 years ago, you didn't know many people teaching that art, while now it seems that virtually every school needs to have it as part of their marketing tool just to compete with the other schools in the area. The problem is that much of what is being called Brazilian Jiu Jitsu at many schools is weak at best, and the instructors claiming to teach it should not be because they have not been adequately trained in the art. So, for example, if someone asks me if I would recommend Brazilian Jiu Jitsu, like Kenpo, it highly depends on the particular school and the instructor who is teaching it. Brazilian Jiu Jitsu gained most of its hype from the Gracie's, who believe me, are in a class of their own.

Here is another example taken from Japanese and Okinawan arts. Too often I hear practitioners of these arts bickering about which katas are authentic. My questions is: what difference does it make if the applications in the kata are not practical with respect to street self defense? In my eyes, the practitioners that can make the movements in the kata work on the street are right. I could care less how much older one kata is over another. I am just being honest, but I have seen many “self-defense” movements taken from traditional kata that are so impractical that they shouldn't be taught whatsoever. Why? Because the instructor who is teaching those movements has not sought out proper instructor by a true master in that art who has full knowledge of the movements contained within the kata.

At my school, I value quality instruction and quality students over commercialization. You will not find a class full of kids with black belts on. You have to earn your rank with integrity and perseverance. When I hear about the latest “graduating class” of black belts (which usually means about 20-40 students with a mean age of 10) my stomach feels like it is going to turn over. Hats off to any school of any art that values the martial arts over commercialization.